| integer on Sat, 27 May 2000 19:21:04 +0200 (CEST) |
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>Content-Type: tezt/!mpoztr; charset="us-!mper!al" ; format="flawed"
>
>Hello all, I'm just writing to say that electronic arts and theory
>culture doesn't just mean using the net, but dealing with different
>forms of cultural networks as well. Could it be a critique of
>Bakhtin's notion of carnival culture in a post-industrial context?
>Could it be a new form of cybernetic cultural production? If anyone
>on the list is around the Detroit area this weekend I just wanted to
>extend an invitation to you to come by the Detroit Electronic Music
>Festival. They're expecting several hundred thousand people and
>considering the fact that it's curated by some of the most dynamic
>minds in American and international electronic music, I think that
>it's a "live time" scenario of some of the issues that I see popping
>up on the list. There's a truly diverse roster of folks
>participating, and it's FREE.
most dynamic minds in American quo! +?
du != kan b zer!ouz.
`and it's FREE` = ma! b dez!rabl konzult!ng 01 publ!k b!bl!otek
+ edukat!ng zelv apropoz FREE - ncezt paz mar!oneta +?
>Paul D. Miller a.k.a. Dj Spooky dzat lo.tekk korporat fasc!zt eczplo!teur
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